Moacyr Peres paints on plastic sheets, which he then transfers into different supports, between, both stages he places an interval, sometimes of twenty years. The result is obviously uncanny (a result of repression) as paintings from his fifties rework intentions of a much younger artist. For our first exhibition at Mouraria, his archive was transferred on pieces of wooden-fencing from a XIX century farm in Minas Gerais. The cross-contamination of memories (in the works as well as with the house as the least neutral of galleries) defined an artificial landscape for the show.